A fitting finale for Daniel Craig, not as good as Casino Royale or Skyfall but still plenty enjoyable. power from the microscopic level: nanobots with the ability to deliver deadly disease to specific genetic markers. Designed as a powerful Bond uses in the series; what's new is cool, what's familiar has proven its worth, and it's a winning formula. as well, yielding intensely bright and brilliant primaries. Bond's blue eyes dazzle, blue skies and waters delight, natural greens are full and rich, and

It seems like almost every recent James Bond film has had a tough time of being released. Whether it be production companies and movie studios arguing over rights to the 007 agent or a worldwide pandemic, James Bond has had a rough time getting to theaters. No Time To Die was no different as this iteration of Bond comes to an end with Daniel Craig. Pulling elements from the previous four films, No Time To Die has flashes of great Bond moments that will be remembered after you leave the theater, but the bulk of this concluding mission is chaotically paced and filled with too many nonsensical choices and characters over its bloated 163-minute run time. No Time To Dieis fun, but itisn't the best mission for this version of everyone's favorite gentleman spy with a licence to kill to go out on. Worth A Look!sounded so rich and lush, perfectly tuned and completely saturating through the entire stage. It's 007 score bliss. Action scenes are a delight for Keeping It Real: The Action of No Time to Die (1080p, 6:15): Looking at making the practical action sequences in the film. The majority are in the Bluray format but I have bought Daniel Craig's films in 4K format, as I have upgraded my equipment to this. aggressive bass, but also balanced bass, offering wonderfully complimentary depth to music and action effects alike. The opening theme has never

It's sad to see Daniel Craig hang up the guns and tuxedo, but his portrayal of Bond has been something altogether elegant, thrilling, and fun. He's had a long good run as 007. In No Time To Die, his character has had a full transformation, and it's exciting to watch that element of his personality as this is the first time we actually get to say "goodbye" to a Bond actor before he's unceremoniously recast. Storywise, this film is just clunky and that's the shame of it. Other than a few other small standout performances and action scenes - No Time To Diejust doesn't make the cut. Certainly not the worst Bond outing, and again the third-best for Craig, but less would have been worth a lot more. Absolutely Worth A Look! Edition: Interactive Menus\Other Documentary: 'Anatomy of a Scene: Matera', 'Keeping It Real: The Action of 'No Time to Die'', 'A Global Journey', 'Designing Bind'dynamics, character details, and dramatic surprises to offset the various standard issue odds and ends. The movie is really like the latest gadget rewarded with No Time to Die, but the script is well enough put together that even newcomers to the franchise or anyone who simply

for targeted assassination, it has now been reengineered into a weapon of mass destruction. Aided by the newest 007, Nomi (Lashana Lynch), Bond Daniel Craig bows out from the most famous role in all of cinema, his stewardship of Ian Fleming’s iconic character finally at an end after fifteen years and, whatever your thoughts on his swansong, there can be few who would deny that he completely reinvigorated both Commander James Herbert Bond as a viable cinematic commodity and worldwide audiences’ interest in his continued adventures. Anatomy of a Scene: Matera (1080p, 11:32): Exploring the making of a key pre-title action sequence that involves everything that makes everything from action to intrigue with superior craftsmanship that builds a top-flight sort of 21st century big budget film experience. AudiencesA friend in the know tells me that Violet Lasers will increase the storage and/or reduce the size of discs in the near future, as military functionality moves towards complete compact systems rather than communications. And that's not necessarily the fault of the impressive director Cary Joji Fukunaga ( True Detective). Perhaps the iconic producer of all Bond movies Barbara Broccoli's decision to allow at least five writers to pen this final screenplay - including the great Fleabag star Phoebe Waller-Bridge - has more to do with it. The result is a film that weaves in and out of different scenes in different genres featuring excellent, silly action beats where Bond makes a drink mid-fight and slugs it down then straight into a completely serious talk and death of a character. There's no flow, rhyme, or reason to it other than to exist as if several writers' ideas all made the final draft. the listening area and the impacts hit bulletproof glass with incredible depth and power. Every action scene follows suit for intensity and clarity, for full stage engagement and low end support. Atmospheric effects are richly realized and seamlessly integrated. The top end is used more in support rather And letting the dust settle on this legacy of Craig’s, what’s perhaps most interesting is that his Bond, from his very first film and especially through to his epic conclusion here, is very much an emotional beast, governed more by his feelings for three women than the more traditional notion of an endless treadmill of megalomaniacal uber villains. Maybe not by design – the narrative muddle of the five films shows that at least from a storytelling perspective there was no single, overarching plan – but certainly by theme, it makes you wonder why with On Her Majesty’s Secret Service often topping so many polls of best Bond film, with its devastatingly emotional payoff, we haven’t seen Bond as such a human animal before.

A Global Journey (1080p, 7:50): In the Bond tradition, No Time to Die travels the globe to build its story. This piece features cast what do they want? Hard to imagine… world leaders, innocent civilians, freedom, you know that sort of thing….” Universal brings No Time to Die to Blu-ray with a visually resplendent 1080p transfer. While the companion UHD offers the superior image, the Blu-ray is wonderful in its own right and

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that film will still get a mostly full picture story. It helps that No Time to Die is pretty standard stuff in terms of structure, at least within the We get bruisingly efficient and grounded action sequences that here are intrinsically linked to the emotional beats of the film – there’s no wasted or flippant action excesses to pad out the run time or meet test audiences’ desires for blood and fire. We get some beautiful locations that are used as stunning canvases for these, from the Italian mountain town of Matera to the fog-shrouded forests of Langvann, Norway and onto the concrete beauty of the island lair in the Sea of Japan by way of the vibrant party town of Santiago de Cuba. And driving it all is Craig, bowing out from the role wonderfully with a huge amount of infectious charisma and driving energy.